Afghanistan has long been a land of deep poetry, haunting melodies, and resilient voices. Among its most influential cultural figures is Mohammad Din Zakhil, famously known as Ustad Zakhil—a revered composer, musician, and visionary artist. With over 700 compositions to his name, Ustad Zakhil’s work defined generations of Afghan music and resonated far beyond the country’s borders.
A Musical Legacy Rooted in Emotion
Born into an ethnic Pashtun family, Ustad Zakhil emerged during a time when Afghan music was experiencing its golden era. His deep understanding of both traditional and contemporary musical elements allowed him to create songs that were not only melodically rich but also emotionally profound.
Timeless Compositions
Many of Ustad Zakhil’s songs are still cherished today, sung by voices young and old. Among his most iconic works are:
- “Da Zamoong Zeeba Watan” – A patriotic anthem that celebrates the beauty and resilience of Afghanistan.
- “Pa Loyo Ghro Banday Ra Taw Shwal Toofanona” – A haunting ballad capturing the stormy emotions of struggle and endurance.
- “Sanga Meena Zma Sta Wa” – A song of love and longing, deeply rooted in Afghan romantic traditions.
His ability to translate human experiences into music earned him admiration from countless Afghan singers, who eagerly performed his compositions on radio and stage.
“Wro Wro Kaigda Qadamoona Ashna” and Hollywood Controversy
Perhaps one of the most dramatic chapters in Ustad Zakhil’s life came decades after he composed “Wro Wro Kaigda Qadamoona Ashna”. Originally recorded by his wife, the celebrated Afghan singer Qamar Gula, in 1974 at Radio Afghanistan, the song would later find its way into an unexpected place—Hollywood.
The song was reportedly used without permission in Mel Gibson’s 2004 film, The Passion of the Christ. Following the film’s release, the Zakhil family pursued legal action against Icon Productions, Mel Gibson, and John Debney, the music director, for alleged copyright infringement.
The case sparked international attention and highlighted the importance of protecting intellectual property, especially when indigenous art and music are involved in global productions.
Ustad Zakhil: A Cultural Icon
What sets Ustad Zakhil apart from other composers is not just the sheer number of songs he wrote, but the depth of each composition. His music often carried the weight of loss, love, patriotism, and soulful introspection. He wasn’t just a composer—he was a poet of pain and passion, a title that rightfully encapsulates his contribution to Afghan arts.
Key Contributions:
- Pioneered modern Afghan music by blending classical elements with contemporary styles.
- Empowered Afghan women in music through collaborations with singers like Qamar Gula.
- Preserved Pashto and Dari musical heritage in a rapidly changing world.
- Raised awareness of copyright issues, asserting ownership and rights in international arenas.
Remembering the Voice of a Nation
While the echoes of war and political unrest have often overshadowed Afghanistan’s artistic achievements, Ustad Zakhil remains a beacon of cultural pride. His music continues to be played across Afghan homes, in diaspora communities, and on digital platforms—keeping his voice alive for future generations.
Conclusion
Mohammad Din Zakhil, or Ustad Zakhil, was more than a composer—he was a storyteller, a guardian of Afghan heritage, and a voice for a people in search of beauty amid hardship. His compositions, filled with emotional depth and poetic elegance, ensure that his legacy will endure for generations to come.